Description
Cinematograph vol. 4
Author/Editor: Jeffrey Skoller
CONTENTS
- Introduction
Jeffrey Skoller
- Friction/Non-Friction
John Knecht
- Science and the Film Avant-Garde
Lisa Cartwright
- Le Voyage de l’Ogre (The Path of the Ogre)
Jack Walsh
- Pushing the Envelope with RocketKitKongoKit
Kathleen Tyner
- Two Fragments From Practice
Johan van der Keuken
- Erika Suderburg’s Displayed Termination: The Interval Between Deaths
Marina deBellagente LaPalma
- Truth Serum
Abigail Child
- A Picture a Day Keeps the Doctor Away – Sometimes: An Interview with Anne Robertson
Scott MacDonald
- Between Charybdis and Scylla: A Correspondence About Alternative Media
Helen De Michiel and Christine Tamblyn
- Camcorder Politics
Alexandra Juhasz
- Cecelia Dougherty/Grapefruit
Valerie Soe
- The Overflow of Ecstasy into Speech: Leslie Thornton’s There Was an Unseen Cloud Moving
Linda Peckham
- From Archive to Archiveology
Joel Katz
- Stories of Travel: The Films of Amos Gitai
Liz Kotz
- Can Cinema Lie?
Daniel Barnett
- Sink or Swim
Su Friedrich
- Three Asian Films: For a New Cinematic Language
Bérénice Reynaud
- In Defense of Sodom: A Gut Response
Michael Wallin
- The Videotapes of the Latino Midwest Video Collective: A Manifesto
Raúl Ferrera-Balanquet
- Fissure (Your Voice, Adjacent, Absent)
Alan Sondheim
- Documentary on the Margins: Bill Stamets’ Super-8mm Ethnography
Chuck Kleinhans
- Orson Welles’ Essay Films and Documentary Fictions: A Two-Part Speculation
Jonathan Rosenbaum
- Outlaws Through the Lens of Corporate America
Ellen Spiro
- An Interview with Steve Fagin
Jeffrey Skoller