Description
Found Footage & Collage Films
The Artist's Voice
Author/Editor: César Ustarroz, ed.
CONTENTS
Found Footage & Collage Films: The Artist’s Voice is a limited-edition book. It includes forty original writings from invited visual artists and filmmakers who work with the archive in their artistic practice.
Conceived to feel through and to feel with the artist’s spirit, this publication brings together the thoughts and experiences of some of the most talented artists and filmmakers working today. Artists and filmmakers who ruminate on the archive during a process of re-vision, artists and filmmakers who explore across diverse formal strategies how borrowed images produce new meanings when repurposed, altered or combined with other images.
Found Footage & Collage Films: The Artist’s Voice is a unique source of knowledge and inspiration for all those interested in contemporary art and culture.
CONTENTS:
PREFACE by César Ustarroz
APPROPRIATION IS THEFT by Peggy Ashwesh
THE CAMERA OF THE DISPOSSESSED by Kamal Aljafari
BETWEEN DREAMS by Louise Bourque
PIRACY AND POETICS: APPROPRIATION AND PROCESS by Abigail Child
HOME MOVIES BEYOND THE FRAME by Michelle Citron
BETWEEN PRESERVATION AND LOSS by Peter Delpeut
TO SHOW AND NOT TO SHOW by Susana de Sousa Dias
PAST CONTINUOUS/PAST IMPERFECT by Daniel Eisenberg
ON PERSONAL FOUND FOOTAGE EXPERIENCE by Cècile Fontaine
FINDING FOOTAGE FOR HIDE AND SEEK by Su Friedrich
LORETO, APRIL 29th, 1945 by Yervant Gianikian and Angela Ricci Lucchi
WORKING WITH FOUND FOOTAGE by Ernie Gehr
FOUND FOOTAGE FILM AS A SITE FOR/OF QUEER RELATIONALITY by Masha Godovannaya
IN STEPHEN’S ROOM by Eve Heller
FILM STOLEN, BORROWED, FOUND, AND LOST: ANECDOTES ABOUT FOUND FOOTAGE by Philip Hoffman
EACH MOMENT OF COPYING IS UNIQUE by Mike Hoolboom
MY FACEBOOK MONTAGE FILM: A MONTAGE WITH TEXTS ENCOUNTERED ON MY FACEBOOK PAGE ON THE 14th AND 15th OF JUNE 2023 by Radu Jude
RE-FINDING FOUND FOOTAGE: ENCOUNTERS WITH THE VIDEO ESSAY by Kevin B. Lee
FOUND FOOTAGE: SOME THOUGHTS by Malcolm Le Grice
FOUND FOOTAGE: ORIGINS AND INSPIRATION IN MY FILM LIFE by David Leister
THE PLEASURE OF GATHERING, THE ECSTASY OF MONTAGE by Péter Lichter
SHADOWS IN THE FRAME by Leandro Listorti
CASTING SPELLS WITH TECHNOLOGY by Jesse McLean
FOUND FOOTAGE by Richard Misek
THREE PROCEDURES FOR UNARCHIVING by Jyoti Mistry
MAKING INCIDENT by Bill Morrison
IT WAS THE BULLFINCH by Matthais Müller
FILM STUDIES: FOUND FOOTAGE AS A HERMENEUTICAL PRACTICE by Alberte Pagán
HOSPITAL GREEN by Miranda Pennell
HOW TO WRITE ABOUT MOVIES IN THE FUTURE by Mark Rappaport
RECLAMATIONS: OPENING A FISSURE/FILLING A VOID by Jayce Salloum
FOUND FOOTAGE: A PERSONAL NOTE by Keith Sanborn
CONCENTRIC MEMORIES by Sylvia Schedelbauer
IN DEFENSE OF THE DANK IMAGE by Soda Jerk
THE STUFF THAT DREAMS ARE MADE OF by Rania Stephan
READY FOR READY-MADE by Mika Taanila
POSTE RESTANTE by Fiona Tan
THE STORY BEHIND OUTER SPACE by Peter Tscherkassky
MAKING PRECIOUS IMAGES by Chuck Workman
Publisher: Found Footage Magazine
Publishing date: March 4, 2025
ISBN: 978-84-09-68969-9
Dimensions: 140 x 195 mm
